My work is guided by a meditation on change and temporality, alongside a deep fascination with geological weathering and natural monuments. I sculpt collaboratively with clay, letting it guide me down the paths of its development as my hands bring tangibility to fleeting feelings. Throughout my process, I work intuitively and embrace the unknown, adding and subtracting material fluidly and utilizing the unpredictability of atmospheric firing.

The diverse landscapes of my childhood – rocky shores and mountain ranges, temperate forests and river valleys, tidal pools and restless seas – form a rich reservoir of tactile memories that inform my work. As I sculpt, I physically process my present emotions as I excavate the terrains of my past, externalizing my internal realm in clay. 

I challenge the impulse to seek comfort in ideas of permanence and stability. I envision bodies as geological formations: physical records of change, living displays of the experiences and influences that have shaped them over time. My work investigates how seemingly unchangeable entities can be altered drastically by minuscule, repetitive actions. It ponders the human inability to observe gradual change as it happens, despite being connected through our progressive surrender to the forces of nature.