My work is guided by a meditation on change and impermanence, alongside a deep fascination with geological weathering and natural monuments. I sculpt collaboratively with clay, letting it guide my body down the paths of its development. Throughout my process, I work intuitively and embrace the unknown, adding and subtracting material fluidly and utilizing the unpredictability of atmospheric firing.

The diverse landscapes of my childhood – rocky shores and mountain ranges, temperate forests and river valleys, tidal pools and restless seas – form a rich reservoir of tactile memories that inform my work. As I sculpt, my hands bring tangibility to present emotions as I excavate the terrains of my past, externalizing my internal realm in clay. 

I seek solace in temporality and challenge the impulse to seek comfort in permanence. I imagine breathing bodies as geological formations: living records of the experiences and influences that have shaped them over time. My work investigates how seemingly unchangeable entities can be altered drastically by minuscule, repetitive actions. It ponders the human incapacity to observe gradual decay as it occurs, despite being connected through our inevitable surrender to the forces of nature.